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The Face on the Cutting-Room Floor
Cameron Mccabe
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Description for The Face on the Cutting-Room Floor
Paperback. Series: Picador Classic. Num Pages: 288 pages. BIC Classification: FFC. Category: (G) General (US: Trade). Dimension: 132 x 197 x 28. Weight in Grams: 306.
With an introduction by Jonathan Coe 1930s King's Cross, London. When aspiring film actress Estella Lamare is found dead on the cutting-room floor of a London film studio, Cameron McCabe finds himself at the centre of a police investigation. There are multiple suspects, multiple confessors and, as more people around him die, McCabe begins to perform his own amateur sleuth-work, followed doggedly by the mysterious Inspector Smith. But then, abruptly, McCabe's account ends . . . Who is Cameron McCabe? Is he victim? Murderer? Novelist? Joker? ... Read more
With an introduction by Jonathan Coe 1930s King's Cross, London. When aspiring film actress Estella Lamare is found dead on the cutting-room floor of a London film studio, Cameron McCabe finds himself at the centre of a police investigation. There are multiple suspects, multiple confessors and, as more people around him die, McCabe begins to perform his own amateur sleuth-work, followed doggedly by the mysterious Inspector Smith. But then, abruptly, McCabe's account ends . . . Who is Cameron McCabe? Is he victim? Murderer? Novelist? Joker? ... Read more
Product Details
Publisher
Pan Macmillan
Format
Paperback
Publication date
2016
Series
Picador Classic
Condition
New
Number of Pages
288
Place of Publication
London, United Kingdom
ISBN
9781509829811
SKU
V9781509829811
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-5
About Cameron Mccabe
Though The Face on the Cutting-Room Floor was first published in 1937, the true identity of its author remained a mystery until 1974 when it was discovered that the well-known German sexologist, jazz musician and critic Ernest Borneman was 'Cameron McCabe'. Borneman died in 1995.
Reviews for The Face on the Cutting-Room Floor
The Face on the Cutting-Room Floor is a weird, funny, perverse exercise in literary messing-about. It's a murder mystery that pulls the rug from under the reader, then pulls the floor from under the rug, then questions whether the floor was even there. It's a great, and baffling, experience, and the less you know about it beforehand, the better.
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