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Description for Rapture: A Novel
Paperback. Translator(s): Kitson, Thomas J. Series: Russian Library. Num Pages: 304 pages. BIC Classification: DQ; FA. Category: (P) Professional & Vocational. Dimension: 216 x 140. .
The draft dodger Laurence yearns to take control of his destiny. Having fled to the highlands, he asserts his independence by committing a string of robberies and murders. Then he happens upon Ivlita, a beautiful young woman trapped in an intricately carved mahogany house. Laurence does not hesitate to take her as well. Determined to drape his young bride in jewels, he plots ever more daring heists. Yet when Laurence finds himself casting bombs alongside members of a revolutionary cell, he must again ask: is he a free man or a pawn of history? Rapture is a fast-paced adventure-romance and a literary treat of the highest order. With a deceptively light hand, Iliazd entertains questions that James Joyce, Virginia Woolf, and Thomas Mann once faced. How does the individual balance freedom and necessity, love and death, creativity and sterility? What is the role of violence in human history and culture? How does language both comfort and fail us in our postwar, post-Christian world? Censored for decades in the Soviet Union, Rapture was nearly lost to Russian and Western audiences. This translation rescues Laurence's surreal journey from the oblivion he, too, faces as he tries to outrun fate.
Product Details
Publisher
Columbia University Press
Format
Paperback
Publication date
2017
Series
Russian Library
Condition
New
Weight
28g
Number of Pages
248
Place of Publication
New York, United States
ISBN
9780231180832
SKU
V9780231180832
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-45
About Iliazd
Iliazd (1894-1975) is the nom de plume of Ilia Zdanevich, an emigre who arrived in Paris after the Russian Civil War in time to participate in the last days of Paris Dada and the birth of surrealism. Unable to publish his writing, Iliazd forged a new career in book art, gaining fame for the series of artists' books he published under the 41 degrees imprint. He collaborated with Picasso, Chagall, Matisse, Leger, Giacometti, Miro, and Max Ernst, among others, on books of his own poetry, anthologies of nonsense poetry from all ages and traditions, and works by rediscovered poets, travelers, and romantic astronomers. Iliazd has been the subject of solo exhibitions at the Centre Georges Pompidou (1978) and the Museum of Modern Art (1987). Thomas J. Kitson is a freelance translator in New York City. He holds a Ph.D. in Russian literature from Columbia University.
Reviews for Rapture: A Novel
Magical... like a wizard's spell.
Aleksandr Goldshtein Nezavisimaia Gazeta [An] absolutely peculiar world that engulfs the reader from the first line.
Boris Poplavsky A closely guarded secret of Russian literature, the prose of Ilia Zdanevich, better known by his artistic pseudonym Iliazd, has never left the narrow coterie of literary connoisseurs. Censored in the USSR, thanks to the author's dissidence from the official Soviet ideology and aesthetic, and spurned by Russian emigres because of his leftist politics and unapologetic stylistic and narrative experimentalism, Iliazd's work has been rediscovered only recently, challenging received wisdom about twentieth-century Russian literature and its place in transnational modernism. Now, for the first time, this rapturously narrated parable mythologizing the life of the Russian avant-garde is available to Anglophone readers. This tale of murder, kidnapping, passion, betrayal, treasure hunt, and political terrorism is set against the backdrop of a fantastic land inspired by the author's native Caucasus. The novelistic repertory of modernism grows richer and more diverse as Rapture joins contemporary French, Italian, and Anglo-American experiments pushing the limits of the genre.
Leonid Livak, University of Toronto
Aleksandr Goldshtein Nezavisimaia Gazeta [An] absolutely peculiar world that engulfs the reader from the first line.
Boris Poplavsky A closely guarded secret of Russian literature, the prose of Ilia Zdanevich, better known by his artistic pseudonym Iliazd, has never left the narrow coterie of literary connoisseurs. Censored in the USSR, thanks to the author's dissidence from the official Soviet ideology and aesthetic, and spurned by Russian emigres because of his leftist politics and unapologetic stylistic and narrative experimentalism, Iliazd's work has been rediscovered only recently, challenging received wisdom about twentieth-century Russian literature and its place in transnational modernism. Now, for the first time, this rapturously narrated parable mythologizing the life of the Russian avant-garde is available to Anglophone readers. This tale of murder, kidnapping, passion, betrayal, treasure hunt, and political terrorism is set against the backdrop of a fantastic land inspired by the author's native Caucasus. The novelistic repertory of modernism grows richer and more diverse as Rapture joins contemporary French, Italian, and Anglo-American experiments pushing the limits of the genre.
Leonid Livak, University of Toronto