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Requiem for a Soldier
Anna Gunin
€ 16.99
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Description for Requiem for a Soldier
Paperback. Set in the vast Kazakh steppes of the crumbling Soviet Empire, Oleg Pavlov's kaleidoscope tale is peopled with soldiers and prisoners, hoboes and refugees and mice that steal medicines. Poetic, tragic and darkly comic, the novel is at once a grotesque portrayal of late Soviet reality and an apocalyptic allegory in the vein of Faulkner and Kafka. Translator(s): Gunin, Anna. Num Pages: 200 pages. BIC Classification: FA; FYT. Category: (G) General (US: Trade). Dimension: 199 x 130 x 27. Weight in Grams: 220.
In the vast Kazakh steppes of the crumbling Soviet Empire, Alyosha has finished his army service and is promised a gift from his deaf commander: an everlasting steel tooth. As he waits for it in the infirmary, he agrees to help out a medical officer, and they set out on a journey that takes them all the way to the kingdom of the dead.
Oleg Pavlov’s kaleidoscope of a tale is peopled with soldiers and prisoners, hoboes and refugees and mice that steal medicines. Their surreal inner world is vividly reflected in Pavlov’s expressive prose, reminiscent of Platonov. Poetic, tragic and darkly comic, the novel is at once a grotesque portrayal of late Soviet reality and an apocalyptic allegory that has drawn comparisons with Faulkner and Kafka.
Product Details
Publisher
And Other Stories
Format
Paperback
Publication date
2015
Condition
New
Weight
219 g
Number of Pages
200
Place of Publication
High Wycombe, United Kingdom
ISBN
9781908276582
SKU
V9781908276582
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Anna Gunin
Oleg Pavlov is one of the most highly regarded Russian writers alive today. He has won the Russian Booker Prize (2002) and Solzhenitsyn Prize (2012) among many other awards. Born in Moscow in 1970, Pavlov spent his military service as a prison guard in Kazakhstan. Many of the incidents portrayed in his fiction were inspired by his experiences there; he recalls how he found himself reading about Karabas, the very camp he had worked at, in Aleksandr Solzhenitsyn’s The Gulag Archipelago. He later became Solzhenitsyn’s assistant and was inspired to continue the great writer’s work. Pavlov’s writing is firmly in the tradition of the great Russian novelists Dostoyevsky and Solzhenitsyn. He was only 24 years old when his first novel, Captain of the Steppe, was published, receiving praise not only from critics but from the jury of the Russian Booker Prize, which shortlisted the novel for the 1995 award. Pavlov went on to win the Prize in 2002 with his next book, The Matiushin Case (English translation published in 2014 by And Other Stories). The Matiushin Case was the second novel in what would become the thematic trilogy set in the last days of the Soviet empire: Tales from the Last Days. All three works in the trilogy are stand-alone novels. The third book, Requiem for a Soldier, was published by And Other Stories in 2015. Anna Gunin has translated I am a Chechen! by German Sadulaev and The Sky Wept Fire by Mikail Eldin. Her translations of Pavel Bazhov’s folk tales appear in Russian Magic Tales from Pushkin to Platonov (Penguin Classics), shortlisted for the 2014 Rossica Prize. She has also translated poetry, plays and film scripts by Denis Osokin and Yuri Arabov.
Reviews for Requiem for a Soldier
‘Oleg Pavlov is a powerful writer, and Requiem for a Soldier is his finest work.’
Alla Latynina
Vremya MN
‘Russian Booker Prize-winner Pavlov writes with the confident eccentricity of a man who knows what to do with words.’
Jane Andrews
Big Issue
‘Requiem for a Soldier . . . is the standalone third volume in the Russian’s Booker Prize-winning trilogy Tales from the Last Days. Set at the end of the Soviet Empire it’s a slim, dark and poetic volume following Alyosha, a soldier who has finished his service, as he journeys to the kingdom of the dead. It’s both a grotesque portrayal of Soviet reality and an apocalyptic allegory.’
Big Issue in the North
‘Pavlov’s reputation and style sets him among the ranks of authors such as Genet and Burroughs with comparison also drawn to Faulkner and Kafka. Lovers of the haunting, poetic, literary grotesque of these authors combined with a healthy level of surrealist humour will find great satisfaction in the pages.’
Booktrust
Chekhov would approve . . . Pavlov [is] a witness with a flair for spectacular images of surreal beauty – a mouse “quivered like a little heart” – which simply ease into a narrative, blending heightened prose descriptions with political satire and punchy dialogue, often expressing exasperation, which is well rendered into colloquial English by Anna Gunin.’
The Irish Times
‘A triumph of Russian farce . . . At a time when the bodies of soldiers are being returned to their families from a war that the authorities assure us . . . the country is not fighting, we can only marvel at the author’s prescience.’
George Walden
Times Literary Supplement
‘A meditation on death and the downfall of the Soviet Union suffused with all the bleak absurdity of a Samuel Beckett play . . . The final novel of the Tales From The Last Days trilogy, this is a memorable absurdist satire with great relevance today.’
Thom Cuell
Workshy Fop
‘A brutal and thought-provoking book.’
The Lady
Alla Latynina
Vremya MN
‘Russian Booker Prize-winner Pavlov writes with the confident eccentricity of a man who knows what to do with words.’
Jane Andrews
Big Issue
‘Requiem for a Soldier . . . is the standalone third volume in the Russian’s Booker Prize-winning trilogy Tales from the Last Days. Set at the end of the Soviet Empire it’s a slim, dark and poetic volume following Alyosha, a soldier who has finished his service, as he journeys to the kingdom of the dead. It’s both a grotesque portrayal of Soviet reality and an apocalyptic allegory.’
Big Issue in the North
‘Pavlov’s reputation and style sets him among the ranks of authors such as Genet and Burroughs with comparison also drawn to Faulkner and Kafka. Lovers of the haunting, poetic, literary grotesque of these authors combined with a healthy level of surrealist humour will find great satisfaction in the pages.’
Booktrust
Chekhov would approve . . . Pavlov [is] a witness with a flair for spectacular images of surreal beauty – a mouse “quivered like a little heart” – which simply ease into a narrative, blending heightened prose descriptions with political satire and punchy dialogue, often expressing exasperation, which is well rendered into colloquial English by Anna Gunin.’
The Irish Times
‘A triumph of Russian farce . . . At a time when the bodies of soldiers are being returned to their families from a war that the authorities assure us . . . the country is not fighting, we can only marvel at the author’s prescience.’
George Walden
Times Literary Supplement
‘A meditation on death and the downfall of the Soviet Union suffused with all the bleak absurdity of a Samuel Beckett play . . . The final novel of the Tales From The Last Days trilogy, this is a memorable absurdist satire with great relevance today.’
Thom Cuell
Workshy Fop
‘A brutal and thought-provoking book.’
The Lady