Old Galway
MacDONNELLS OF WILLIAMSGATE STREET
by Tom Kenny
In 1904, M.J. McDonnell, Confectioner, announced the fact in the local papers, that he had just opened a TEA ROOM at Number 8, Wiilliamsgate Street where ladies and gentlemen ‘can have freshly made tea and cakes – all cakes made freshly on the premises with the purest ingredients only. Seed, Plum, Rich Plum, Madeira, Citron, Cherry, Sultana, Genoese, Pastry etc. White and Brown scones, Cream scones and Crumpets always in stock. Ice Creams in 24 hours’.
Jellies, Blanc Manges, Meringues, Pies, all could be made to order as could sweets in great variety. Large or small luncheon and tea parties could be catered for at 24-hour notice. Light Luncheons and Teas were ‘Comfortably’ Served. Wedding cakes could be ordered at the shortest notice and they were also agents for Fuller’s Confections.
SEAGHAN UA NEACHTAIN
by Tom Kenny
This iconic building dates from the late 16th or early 17th century. It has two-bay elevations on two streets, a beautiful three light oriel window with mullions and a transom in at the back. It also has a slight buttress or batter at the base of the outer wall as has the building now occupied by Evergreen at the top of High Street. The premises has a long and interesting history.
It was the town house of Richard Martin, better known as Humanity Dick because he was one of the founders of the Society for Prevention of Cruelty to Animals. He was one of the Martin family who owned much of Conamara, and was elected as Member of Parliament for Galway on a number of occasions. He used to claim to have ‘the longest drive in the world’ which started just outside Galway and went out as far as Ballynahinch. Martin built a theatre in Kirwan’s Lane for his wife who fancied herself as an actress. They put on plays there – Martin acted in some himself – but the project came to an end when a young Theobald Wolfe Tone came to live with the family.as a teacher of their children. He also featured in some plays, but he had an affair with Mrs. Martin and was ‘asked to leave’. Enthusiasm for theatricals evaporated.
THE CHRISTMAS MARKET
by Tom Kenny
The Saturday Market at St. Nicholas’ Collegiate Church is a Galway tradition that goes back some 800 years. It was a fruit and vegetable market which expanded greatly at this time of the year when the farmers brought in large numbers of turkeys and geese for sale.
From very early morning, a procession of donkeys would set out, nose to tail, for the market. There, the donkeys were unharnessed and tethered to a wheel, the shafts were let down and the goods to be sold were displayed on the sloping cart. Vendors came from many more prosperous areas and their wares were a source of envy to those who lived in the congested strip along the coast. Eggs in big wicker baskets with hinged lids, ducks, hens and chickens, wooden kegs of buttermilk, home-churned butter laid in rolls on cabbage leaves, cabbages, onions, sometimes geese, hand-knitted socks --- all sold briskly to people of the town. At Christmas time, this market would be much bigger than normal and there might be two or three extra market days where the emphasis would be on selling turkeys or geese. On these days, the activity would extend into adjoining streets.
TOWN HALL INTERNMENT CAMP
by Tom Kenny
The last months of 1920 were the most vicious and bloody in the war of Independence in Galway. There were a lot of killings, burnings, shootings and beatings. There was a sweeping roundup of hundreds of the usual suspects and the old gaol in Galway could not take any more prisoners. Two internment camps were opened in the city, one in the military camp on Earl’s Island where “33 of us were given 32 blankets and herded into an old hut without glass in the only window, and never got a cup, knife or cup during our 13 days” according to John Costello. These prisoners were eventually moved into the Town Hall Theatre which was commandeered as the second internment camp.
THE GALWAY ELECTRIC LIGHT COMPANY
by Tom Kenny
The Galway Electric Light Company was set up by James Perry, an engineer and County Surveyor of the Western District of Galway, and his brother, Professor John Perry to generate electricity. On November 1st, 1888, they applied for permission from the Galway Town Commissioners to ‘erect poles in some parts of the town as an experiment for the electric lighting of the town’. The company had established a generating station at Newtownsmith in an old flour mill which had existed since the 1600s and straddled the Friar’s River. They installed a hydroelectric turbine in the watercourse which was linked to a generator producing alternating current.
The plant at Newtownsmith consisted of a 200 BHP VJ4 Vickpet crude oil engine manufactured by Vickers Petters of Ipswich, a National and Crossley gas engine of 60/70 BHP each fuelled by anthracite coal and a Hay Maryon turbine of 130 HP supplied by water power. In addition, they had an extensive battery system where surplus current could be stored. The company started off with a private scheme customer base of 59 houses and this was the reason for their application to erect poles to deliver current to their customers.
SOME OLD ELECTION POSTERS
by Tom Kenny
Election posters are very much part of the democratic process. They are primarily used to urge people to vote, to communicate political messages, rally public support for a candidate or a cause. They play an important role in our documentary history and are often a powerful way to capture a moment in time. They can be used to educate, inform and inspire people. They also generate loyalty to the cause from the thousands of volunteers who hang the posters up. They were an especially powerful form of communications for previous generations.
In the latter part of the 19th century a kind of ‘cartoon war’ developed between Ireland and the UK. The British cartoonists increasingly caricatured the Irish as simian, ape-like creatures, ogres. The Irish cartoonists, on the other hand portrayed the Englishman as a normal man, a portly tweedy John Bull. But the Irish used the word as the strong weapon to get their message across. These continued into the early 1900s as political posters were used to promote the cause of Irish Independence, often in a highly emotive way depicting powerful images of the Irish people and their struggle for freedom.
QUEEN’S COLLEGE, GALWAY, THE EARLY DAYS
by Tom Kenny
The Queen’s Colleges in Galway Cork and Belfast were established in 1845, and shortly afterwards, construction of the quadrangular building started in Galway. In May, 1847, despite the Famine, William Brady, the contractor for the building, advertised for thirty stone cutters and thirty stonemasons. Large working sheds were erected on the site so that the work could be carried out in inclement weather. There was no big rush to work from the stone men as the money he offered was below the going rate, but as it was a long term job with shelter provided, so it had a security of employment not available on other building projects. In the end, the building of the College did have a beneficial effect on the depressed conditions in Galway at the time.
The first students walked in the gate in October 1849, 175 years ago. The Colleges had been denounced as ‘godless’ by the Catholic hierarchy so Galway had, from the beginning, difficulty in attracting students. But, by 1859, 18 of the 31 students who sat the matriculation exams here were Catholics. There were eleven entrants for arts, twelve for medicine, one for law, three for engineering and four for agriculture.
THE FRANCISCANS IN GALWAY
by Tom Kenny
In the graveyard at the back of the Abbey Church in Francis Street stands an interesting memorial carrying the De Burgo coat of Arms and a long broadsword. The inscription tells us that it was erected in memory of William De Burgo who founded the Franciscan friary on St. Stephen’s Island in 1296. The site was roughly where the Courthouse is today and the island was formed by the Galway River on one side and a branch of that river which ran through what today would be Woodquay and Mary Street and re-joined the main river. A second and smaller island lay between St. Stephen’s and the town wall, so that in order to maintain communications with the town, two bridges were necessary, one at the junction of Mary Street and Abbeygate Street and the other at the Little Gate. The Abbey buildings lay immediately north of the present graveyard and between them and the river was ‘Sruthán na mBráthair’, a small stream that enabled the friars to bring boats in from the main river. The monastery was known as the Abbey of St. Francis.