“His examination of the evolving character of collegiate performing arts over a century and a half and its influence on campus architecture will be useful for anyone contemplating similar changes at other American universities.” —Catholic Library World “The Notre Dame professor of film, television and theatre chases ‘the true ghosts of Washington Hall, the fleeting shadows of myriad ephemeral events that have occurred over time.’ His history of the building that’s been home to plays, lectures, concerts, commencements and various assemblies also shines a light on the cultural history of the University.” —Notre Dame Magazine “A centerpiece of a historic university, Washington Hall at Notre Dame: Crossroads of the University, 1864–2004 casts the history of Notre Dame through one of its most important buildings, tracing the performance arts center from its early days to the modern era, reflecting the happenings of the campus and the world upon it.” —The Midwest Book Review “The book is both a history and a labor of love for Pilkinton, who joined the faculty in 1984 and spent his first 20 years at Notre Dame working out of Washington Hall. . . . Pilkinton says the book provides a cultural history of the university.” —South Bend Tribune "For roughly the first half of Notre Dame's history, work, study, prayer, meals and leisure were all undertaken, endured or enjoyed in a unanimity that is difficult even to imagine today. Pilkinton's new book, Washington Hall at Notre Dame: Crossroads of the University, 1864–2004, brings that time a bit more sharply into focus with two intertwined histories—one of an iconic campus building and the other of theater at Notre Dame." —ND Works "Mark Pilkinton has mined the Notre Dame Archives, and many other sources, to produce a history both scholarly and entertaining. He skillfully conjures up the past of a much loved building that has been at the heart of Notre Dame’s cultural and academic life for over 140 years. Readers will enjoy the accounts of musical and theatrical events in Washington Hall, while gaining fascinating insight into changing theatre technologies and performance practices. By exploring the Hall’s various architectural incarnations and its evolving role within the University, Pilkinton has made an exceptional contribution to the history of the performing arts at Notre Dame and in American Catholic higher education." —Jane A. Devine, editor of 100 Years of Architecture at Notre Dame: A History of the School of Architecture, 1898-1998 "This is much more than a history of a building. Mark Pilkinton's superbly scholarly study shows how, at Notre Dame but with resonances for every campus across America, the place of the performing arts in the culture of the university has changed across more than 150 years. What happens when the community of the university assembles for something other than mass or football is a crucial definer of how the community thinks of itself and, whether for its first film-screenings or its umpteenth Shakespeare production, the transforming nature of Notre Dame is revealed by its encounters with the events that have taken place in Washington Hall. Pilkinton is a wonderfully sensitive and thoughtful guide to the significance of the vast array of offerings in the building that stands, with the Dome and the Basilica, at the heart of the University." —Peter Holland, University of Notre Dame "Pilkinton has written a meticulously researched, detailed history of not just a building, but also of the artistic, educational, and social events that took place within its walls. In the process he traces a compelling narrative of institutional and cultural change both on and off the Notre Dame campus from 1864 to the present day." —Wendy Arons, Carnegie Mellon University School of Drama