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The Great War in Popular British Cinema of the 1920s: Before Journey's End
Lawrence Napper
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Description for The Great War in Popular British Cinema of the 1920s: Before Journey's End
Hardcover. This book discusses British cinema's representation of the Great War during the 1920s. It argues that popular cinematic representations of the war offered surviving audiences a language through which to interpret their recent experience, and traces the ways in which those interpretations changed during the decade. Num Pages: 248 pages, 8 figures. BIC Classification: 1DBK; 3JJF; 3JJG; APFN; HBWN. Category: (P) Professional & Vocational. Dimension: 224 x 146 x 19. Weight in Grams: 420.
This book discusses British cinema's representation of the Great War during the 1920s. It argues that popular cinematic representations of the war offered surviving audiences a language through which to interpret their recent experience, and traces the ways in which those interpretations changed during the decade.
This book discusses British cinema's representation of the Great War during the 1920s. It argues that popular cinematic representations of the war offered surviving audiences a language through which to interpret their recent experience, and traces the ways in which those interpretations changed during the decade.
Product Details
Format
Hardback
Publication date
2015
Publisher
Palgrave Macmillan
Condition
New
Number of Pages
234
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230371705
SKU
V9780230371705
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Lawrence Napper
Lawrence Napper is Lecturer in the Film Studies department of Kings College London, UK. His previous work includes British Cinema and Middlebrow Culture in the Interwar Years.
Reviews for The Great War in Popular British Cinema of the 1920s: Before Journey's End
“This is a well-written, well-researched book. … Napper’s The Great War in Popular British Cinema of the 1920s: Before Journey’s End is highly recommended for graduate students and professionals in the areas of Film History, Communications and Cultural Studies. It stands on its own as an invitation to reexamine the culture of understanding interpretations of film.” (Erwin F. Erhardt, III, ... Read more