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Cheryl A. Wall - Worrying the Line: Black Women Writers, Lineage, and Literary Tradition (Gender and American Culture) - 9780807855867 - V9780807855867
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Worrying the Line: Black Women Writers, Lineage, and Literary Tradition (Gender and American Culture)

€ 40.40
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Description for Worrying the Line: Black Women Writers, Lineage, and Literary Tradition (Gender and American Culture) Paperback. Examining the works of Lucille Clifton, Gayl Jones, Audre Lorde, Paule Marshall, Toni Morrison, Gloria Naylor, and Alice Walker, this book highlights ways in which these African American authors construct family genealogies, filling in the gaps with dreams, rituals, music, or images that forge a connection to family lost through slavery. Series: Gender and American Culture. Num Pages: 320 pages, 10ill. BIC Classification: 1KBB; 2AB; DSBH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 156 x 20. Weight in Grams: 454.
For blues musicians, ""worrying the line"" is the technique of breaking up a phrase by changing pitch, adding a shout, or repeating words in order to emphasize, clarify, or subvert a moment in a song. Cheryl A. Wall applies this term to fiction and nonfiction writing by African American women in the twentieth century, demonstrating how these writers bring about similar changes in African American and American literary traditions. Examining the works of Lucille Clifton, Gayl Jones, Audre Lorde, Paule Marshall, Toni Morrison, Gloria Naylor, and Alice Walker, Wall highlights ways in which these authors construct family genealogies, filling in ... Read more

Product Details

Format
Paperback
Publication date
2005
Publisher
The University of North Carolina Press
Condition
New
Series
Gender and American Culture
Number of Pages
328
Place of Publication
Chapel Hill, United States
ISBN
9780807855867
SKU
V9780807855867
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15

About Cheryl A. Wall
Cheryl A. Wall is professor of English at Rutgers University and author of Women of the Harlem Renaissance. She has edited five books, including Changing Our Words: Essays on Criticism, Theory, and Writing by Black Women and, most recently, a critical casebook on Zora Neale Hurston's Their Eyes Were Watching God.

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