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Richard Wagner, Fritz Lang, and the Nibelungen: The Dramaturgy of Disavowal
David J. Levin
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Description for Richard Wagner, Fritz Lang, and the Nibelungen: The Dramaturgy of Disavowal
Paperback. Explores the relationship between aesthetics and anti-Semitism in two controversial landmarks in German culture. This book argues that Richard Wagner's opera cycle "Der Ring des Nibelungen" and Fritz Lang's 1920s film "Die Nibelungen" exploits contrasts between good and bad aesthetics to address the question of what is German and what is not. Series: Princeton Studies in Opera. Num Pages: 224 pages, 13 halftones. BIC Classification: 1DFG; APFA; AVGC9; HPN. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 15. Weight in Grams: 342.
This highly original book draws on narrative and film theory, psychoanalysis, and musicology to explore the relationship between aesthetics and anti-Semitism in two controversial landmarks in German culture. David Levin argues that Richard Wagner's opera cycle Der Ring des Nibelungen and Fritz Lang's 1920s film Die Nibelungen creatively exploit contrasts between good and bad aesthetics to address the question of what is German and what is not. He shows that each work associates a villainous character, portrayed as non-Germanic and Jewish, with the sometimes dramatically awkward act of narration. For both Wagner and Lang, narration--or, in cinematic terms, visual presentation--possesses ... Read more
This highly original book draws on narrative and film theory, psychoanalysis, and musicology to explore the relationship between aesthetics and anti-Semitism in two controversial landmarks in German culture. David Levin argues that Richard Wagner's opera cycle Der Ring des Nibelungen and Fritz Lang's 1920s film Die Nibelungen creatively exploit contrasts between good and bad aesthetics to address the question of what is German and what is not. He shows that each work associates a villainous character, portrayed as non-Germanic and Jewish, with the sometimes dramatically awkward act of narration. For both Wagner and Lang, narration--or, in cinematic terms, visual presentation--possesses ... Read more
Product Details
Format
Paperback
Publication date
2000
Publisher
Princeton University Press
Number of pages
224
Condition
New
Series
Princeton Studies in Opera
Number of Pages
224
Place of Publication
New Jersey, United States
ISBN
9780691049717
SKU
V9780691049717
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About David J. Levin
David J. Levin is Associate Professor of Germanic Languages and Literature at the University of Chicago. He is the editor of Opera Through Other Eyes. In addition to his academic work, he has served as a dramaturg at the Frankfurt Opera, the Bremen Opera, and the Frankfurt Ballet.
Reviews for Richard Wagner, Fritz Lang, and the Nibelungen: The Dramaturgy of Disavowal
"This is a smart and thoroughly absorbing book. Its focus is not on a single genre but on the uses that have been made of the Nibelung legend to help shape German national and cultural identity... A subtly argued study of how the works under consideration 'render their politics in an aesthetic register.'"
Herbert Lindenberger, Quarterly Journal of the Modern Language ... Read more
Herbert Lindenberger, Quarterly Journal of the Modern Language ... Read more