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British Images of Germany: Admiration, Antagonism & Ambivalence, 1860-1914 (Britain and the World)
Richard Scully
€ 65.48
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Description for British Images of Germany: Admiration, Antagonism & Ambivalence, 1860-1914 (Britain and the World)
Hardcover. British Images of Germany is the first full-length cultural history of Britain's relationship with Germany in the key period leading up to the First World War. Richard Scully reassesses what is imagined to be a fraught relationship, illuminating the sense of kinship Britons felt for Germany even in times of diplomatic tension. Series: Britain and the World. Num Pages: 400 pages, 152 black & white illustrations, 6 colour plates. BIC Classification: 1DBK; 1DFG; 3JH; 3JJC; HBJD; HBLL; HBLW; HBTB; HBWN; JPS. Category: (P) Professional & Vocational. Dimension: 157 x 220 x 28. Weight in Grams: 606.
British Images of Germany is the first full-length cultural history of Britain's relationship with Germany in the key period leading up to the First World War. Richard Scully reassesses what is imagined to be a fraught relationship, illuminating the sense of kinship Britons felt for Germany even in times of diplomatic tension.
British Images of Germany is the first full-length cultural history of Britain's relationship with Germany in the key period leading up to the First World War. Richard Scully reassesses what is imagined to be a fraught relationship, illuminating the sense of kinship Britons felt for Germany even in times of diplomatic tension.
Product Details
Format
Hardback
Publication date
2012
Publisher
Palgrave Macmillan
Number of pages
400
Condition
New
Series
Britain and the World
Number of Pages
395
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230301566
SKU
V9780230301566
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Richard Scully
RICHARD SCULLY is Lecturer in Modern European History at the University of New England, Armidale, Australia. He received his PhD from Monash University in 2008, where he lectured in history and international studies. With Marian Quartly he edited the 2009 volume Drawing the Line: Using Cartoons as Historical Evidence.
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