In this follow-up to the superb Blood and Beauty, Lucrezia is sent to meet her boorish third husband, while Cesare's pox-fuelled madness deepens. A stunning tale of power and family from Sarah Dunant
Antonia Senior
The Times
Sarah Dunant's meticulously researched novel, In the Name of the Family, told us more about the papacy of Alexander VI ... Read morethan have countless academic texts
Philippa Joseph
History Today
Dunant shrewdly explores human vice and virtue as she charts a godless society orbiting around Pope Alexander VI and his daughter Lucrezia . . . In the Name of the Family contains multiple characters and plots, all of which are thoroughly researched and slickly interwoven . . . Dunant's writing is fast-paced, lusty, illustrative and exciting
Literary Review
It is a cracking story, stuffed with violence, danger and passion, and it will keep you pinned to your pool chair long after the sun has gone down
Daily Mail
This is Dunant's genius: her ability to piece together fragmentary, disparate sources and conjure up a compelling and convincing narrative
History Today
Open it, and become utterly swept up; then, spend the next three days on Wikipedia googling Every. Single. Character.
Emerald Street
Sarah Dunant's blood-drenched tale about the Borgias is gripping . . . Dunant's poetic style raises the novel above titillating gossip, and her striking imagery renders it as rich as a Pinturicchio fresco
Scotsman
For the last 14 years, her historical fiction has been coming close to doing for Renaissance Italy what Hilary Mantel has done for Tudor England. So deeply does she burrow into the past that her readers are able to imagine it almost as clearly as if it were the present, reinvesting it with that knifeedge uncertainty with which we ourselves imagine the future . . . This is Dunant's fifth Renaissance novel, and like the rest sparkles with the kind of details that fires the imagination
Herald
Dunant has made completely her own the story of Italy's most infamous ruling family. Retaining the knack for plotting and pacing from the crime novels that began her career, she depicts history in a way that we can see, hear and smell . . . Dunant's Italian novels are an enthralling education
Mark Lawson
Guardian
What distinguishes and elevates to the first order Sarah Dunant's series of five novels set in Renaissance Italy is that she combines flawless historical scholarship with beguiling storytelling . . . Dunant is sensitive to contemporary echoes and so offers into the bargain a lesson from history for our divided age
Observer
An intimate knowledge of Renaissance history powers a story crackling with energy
Elizabeth Buchan
Daily Mail
Which one of us will go down in history? asks Cesare of Machiavelli. There are many words written about both men in fiction and non-fiction. However Dunant has a storyteller's instincts for the telling detail and the broad sweep of history. This, and her glorious prose make Dunant's version irresistible
Antonia Senior
The Times
As vivid a recreation of the Renaissance past as its predecessor
Sunday Times
In the end, what's a historical novelist's obligation to the dead? Accuracy? Empathy? Justice? Or is it only to make them live again? Dunant pays these debts with a passion
Washington Post
Reading In the Name of the Family, I began to smell the scent of oranges and wood smoke on the Ferrara breeze. Such Renaissance-rich details fill out the humanity of the Borgias, rendering them into the kind of relatable figures whom we would hope to discover behind the cold brilliance of The Prince
National Public Radio, USA
A thrilling period vividly brought to life
Woman & Home
Sarah Dunant's sparkling novel, In the Name of the Family, is girded by a keen political intelligence and a stunning feel for Italy in the years around 1500
Lauro Martines, Emeritus Professor off European history at University of California and one of world's foremost authorities on the Italian Renaissance Show Less