
For more than three hundred years, manifestoes have defined the aims of radical groups, individuals, and parties while galvanizing revolutionary movements. As Janet Lyon shows, the manifesto is both a signal genre of political modernity and one of the defining forms of aesthetic modernism. Ranging from the pamphlet wars of seventeenth-century England to dyke and ACT-UP manifestoes of the 1990s, her extraordinarily accomplished book offers the first extended treatment of this influential form of discourse.
Lyon demonstrates that the manifesto, usually perceived as the very model of rhetorical transparency, is in fact a complex, ideologically inflected genre—one that has helped to shape modern consciousness. Lyon explores the development of the genre during periods of profound historical crisis. The French Revolution generated broadsides that became templates for the texts of Chartism, the Commune, and late-nineteenth-century anarchism, while in the twentieth century the historical avant-garde embraced a revolutionary discourse that sought in the manifesto's polarizing polemics a means for disaggregating and publicizing radical artistic movements. More recently, in the manifestoes of the 1960s, the wretched of the earth called for either the full realization or the final rejection of the idea of the universal subject, paving the way for contemporary contestations of identity among second- and third-wave feminists and queer activists.
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About Janet Lyon
Reviews for Manifestoes
Virginia Quarterly Review
This book provides compelling histories and analysis for scholars of media and social movements to mine for inspiration.
Journal of Communication
Brilliantly nuanced and historically rich... Janet Lyon's acute weaving of modernist history, manifestic dissent, avant-garde aesthetics, and feminist struggle is gracefully learned, supple, and exciting. We are left with an entirely fresh sense of the extent to which the public spheres of modernity permitted their linguistic and political freedoms.
Yearbook of English Studies
Lyon offers an innovative, far-ranging study... A complex, lucid, and nuanced study of the manifesto as the signature genre of aesthetic and political militancy, this volume will be indispensible to all college and university collections.
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