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Trinidad Carnival
. Ed(S): Green, Garth L.; Scher, Philip W.
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Description for Trinidad Carnival
Paperback. Explores Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. This work features nine essays that cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, and more. Editor(s): Green, Garth L.; Scher, Philip W. Num Pages: 272 pages, 11 b&w photos. BIC Classification: 1KJ; JFC. Category: (P) Professional & Vocational. Dimension: 231 x 175 x 18. Weight in Grams: 398.
Like many Caribbean nations, Trinidad has felt the effects of globalization on its economy, politics, and expressive culture. Even Carnival, once a clandestine folk celebration, has been transformed into a major transnational festival. In Trinidad Carnival, Garth L. Green, Philip W. Scher, and an international group of scholars explore Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. The nine essays cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, Calypso music on the world stage, Carnival and rap, and Carnival as a global celebration. For readers interested in the history and current expression of Carnival, this volume offers a multidimensional and transnational view of Carnival as a representation of Trinidad and Caribbean culture everywhere.
Contributors are Robin Balliger, Shannon Dudley, Pamela R. Franco, Patricia A. de Freitas, Ray Funk, Garth L. Green, Donald R. Hill, Lyndon Phillip, Victoria Razak, and Philip W. Scher.
Product Details
Format
Paperback
Publication date
2007
Publisher
Indiana University Press United States
Number of pages
272
Condition
New
Number of Pages
272
Place of Publication
Bloomington, IN, United States
ISBN
9780253218834
SKU
V9780253218834
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About . Ed(S): Green, Garth L.; Scher, Philip W.
Garth L. Green is a lecturer in the Department of Anthropology and International Studies at the University of North Carolina, Charlotte. Philip W. Scher is Associate Professor of Anthropology at the University of Oregon. He is author of Carnival and the Formation of a Caribbean Transnation and editor of Perspectives on the Caribbean: A Reader in Culture and Representation.
Reviews for Trinidad Carnival
Green and Scher carefully selected essays for this collection that reflect the identity crisis within the parent Trinidadian carnival, while paying special attention to the transnationalism of the offspring carnivals spread throughout the globe. . .[T]his collection initiates a discussion of how the ideology of national cultural forms is affected locally by global forces. Moreover, this essay collection examines the process by which carnival fosters and adapts to the changing nature of Caribbeaness on a global scale.64.4 June 2008
NOTES: QTLY JRL MUSIC LIB ASSN
[E]ditors Garth L. Green and Philip W. Scher have gathered a thought-provoking collection of essays that extend our understanding of Trinidadian festivals and festival arts at home and abroad.
Journal of American Folklore
[The] editors . . . have assembled a fine collection of articles that examine the Trinidad Carnival as well as its transnational offshoots. . . . Through a thoughtful review of existing literature they persuasively argue for theoretical and methodological approaches that are sensitive to the multivalent nature of Carnival. 51 (2), 2009
The World of Music
Anyone wishing to explore tradition, authenticity, community, identity, nation and transnation will be rewarded by reading this volume.Spring/ Summer 2010
Western Folklore
. . . this book is a must-read for scholars and fans of West Indian culture and particularly Trinidad Carnival and its visual and musical components. It delivers a vast field of information from both a deep historical as well as a contemporary perspective.October 2009
John Nunley
H-AfrArts
This collection of essays is a fascinating look at contemporary Carnival as . . . a national and transnational institution. Many of the essays would be useful for readers interested in transnational movement of music and festivals, as well as in Carnival and the Caribbean specifically.August 25, 2009
David Lewis
Indiana University
. . . provides interesting and thought provoking reading. . . . [I]t would be valuable for higher level students at university and researchers who have a keen interest in transnational festivals and cultural tourism.Vol. 1.2 2009
Donna Chambers
University of Surrey
. . . Tracking the various forces that historically and contemporarily shape Carnival as event, ideology, national culture, and commodity, the essays in Trinidad Carnival never view Carnival through a single analytical lens. Indeed, they never yield a picture of a singular Carnival, a particular mas player. Rather, they show how 'specific Carnivals, specific masqueraders, and specific Carnival controversies are in motion, are well-traveled and circulate through the population not just of Trinidadians, but of Caribbean people everywhere, defining their Caribbean-ness while helping to change those definitions as new contexts arise' (Green and Scher 23).
Anthropological Quarterly
NOTES: QTLY JRL MUSIC LIB ASSN
[E]ditors Garth L. Green and Philip W. Scher have gathered a thought-provoking collection of essays that extend our understanding of Trinidadian festivals and festival arts at home and abroad.
Journal of American Folklore
[The] editors . . . have assembled a fine collection of articles that examine the Trinidad Carnival as well as its transnational offshoots. . . . Through a thoughtful review of existing literature they persuasively argue for theoretical and methodological approaches that are sensitive to the multivalent nature of Carnival. 51 (2), 2009
The World of Music
Anyone wishing to explore tradition, authenticity, community, identity, nation and transnation will be rewarded by reading this volume.Spring/ Summer 2010
Western Folklore
. . . this book is a must-read for scholars and fans of West Indian culture and particularly Trinidad Carnival and its visual and musical components. It delivers a vast field of information from both a deep historical as well as a contemporary perspective.October 2009
John Nunley
H-AfrArts
This collection of essays is a fascinating look at contemporary Carnival as . . . a national and transnational institution. Many of the essays would be useful for readers interested in transnational movement of music and festivals, as well as in Carnival and the Caribbean specifically.August 25, 2009
David Lewis
Indiana University
. . . provides interesting and thought provoking reading. . . . [I]t would be valuable for higher level students at university and researchers who have a keen interest in transnational festivals and cultural tourism.Vol. 1.2 2009
Donna Chambers
University of Surrey
. . . Tracking the various forces that historically and contemporarily shape Carnival as event, ideology, national culture, and commodity, the essays in Trinidad Carnival never view Carnival through a single analytical lens. Indeed, they never yield a picture of a singular Carnival, a particular mas player. Rather, they show how 'specific Carnivals, specific masqueraders, and specific Carnival controversies are in motion, are well-traveled and circulate through the population not just of Trinidadians, but of Caribbean people everywhere, defining their Caribbean-ness while helping to change those definitions as new contexts arise' (Green and Scher 23).
Anthropological Quarterly