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Cinematic Perspectives on Digital Culture: Consorting with the Machine
Norman Taylor
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Description for Cinematic Perspectives on Digital Culture: Consorting with the Machine
Hardcover. Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture. Num Pages: 256 pages, 21 black & white halftones, 3 diagrames. BIC Classification: APFA; APFB; APFN. Category: (P) Professional & Vocational. Dimension: 150 x 219 x 20. Weight in Grams: 434.
Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.
Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.
Product Details
Format
Hardback
Publication date
2012
Publisher
Palgrave Macmillan
Number of pages
256
Condition
New
Number of Pages
242
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230298927
SKU
V9780230298927
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Norman Taylor
NORMAN TAYLOR has taught in schools, colleges and universities for over thirty years. A lecturer in literature, media, film and cultural studies, he is a co-founder of Bristol Silents film society. He has authored film programmes for Bristol University, UWE and the Open College Network, and published articles in journals including Screen.
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