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The Substance of Shadow: A Darkening Trope in Poetic History
John Hollander
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Description for The Substance of Shadow: A Darkening Trope in Poetic History
Hardcover. Num Pages: 184 pages. BIC Classification: 2AB; DSC. Category: (P) Professional & Vocational. Dimension: 149 x 227 x 20. Weight in Grams: 352.
John Hollander, poet and scholar, was a master whose work joined luminous learning and imaginative risk. This book, based on the unpublished Clark Lectures Hollander delivered in 1999 at Cambridge University, witnesses his power to shift the horizons of our thinking, as he traces the history of shadow in British and American poetry from the Renaissance to the end of the twentieth century. Shadow shows itself here in myriad literary identities, revealing its force as a way of seeing and a form of knowing, as material for fable and parable. Taking up a vast range of ... Read moretexts--from the Bible, Dante, Shakespeare, and Milton to Poe, Dickinson, Eliot, and Stevens--Hollander describes how metaphors of shadow influence our ideas of dreaming, desire, doubt, and death. These shadows of poetry and prose fiction point to unknown, often fearful domains of human experience, showing us concealed shapes of truth and possibility. Crucially, Hollander explores how shadows in poetic history become things with a strange substance and life of their own: they acquire the power to console, haunt, stalk, wander, threaten, command, and destroy. Shadow speaks, even sings, revealing to us the lost as much as the hidden self. An extraordinary blend of literary analysis and speculative thought, Hollander's account of the substance of shadow lays bare the substance of poetry itself. Show Less
Product Details
Publisher
University Of Chicago Press
Place of Publication
, United States
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About John Hollander
John Hollander (1929-2013) was the Sterling Professor of English at Yale University and the author of more than thirty books of poetry and literary criticism. Kenneth Gross is the Alan F. Hilfiker Distinguished Professor of English at the University of Rochester. He is the author, most recently, of Puppet: An Essay on Uncanny Life, also published by the University of ... Read moreChicago Press. Show Less
Reviews for The Substance of Shadow: A Darkening Trope in Poetic History
Who knows what shadows lurk in the hearts, and around the margins, and in the allusive connections of poems great and minor, English and American, classical and European? Nobody knew as much, perhaps, as John Hollander, who explored the binaries, the dualities, the implications of literary shadows in these splendid, memorable lectures, tracing the shadow as topos and trope over ... Read morecenturies. This is a carefully salvaged and pellucid text from the poet, critic, and scholar who taught so many of us so much.
Stephen Burt, Harvard University In The Substance of Shadow, Hollander traces the poetic life of shadows in the West from the Psalms and the Book of Jobthrough Virgil, Dante, and on through a spectral company to T. S. Eliot and Hart Crane. This is a book of chiaroscuro imagination and erudition, a study of a tradition darkening as it increasingly uses a central image to reflect on the work of poetry, its powers of allusion, and figuration. I came away astonished at these new readings of classic works.
Rosanna Warren, author of Ghost in a Red Hat Who knows what shadows lurk in the hearts, and around the margins, and in the allusive connections of poems great and minor, English and American, classical and European? Nobody knew as much, perhaps, as John Hollander, who explored the binaries, the dualities, the implications of literary shadows in these splendid, memorable lectures, tracing the shadow as topos and trope over centuries. This is a carefully salvaged and pellucid text from the poet, critic, and scholar who taught so many of us so much.
Stephen Burt, Harvard University Though we don't often notice it, shadow is everywhere in our lives and in the world, and almost as ubiquitous in literature. The late John Hollander, a poet and critic of dazzling inventiveness and erudition, focuses a brilliant spotlight on this element of darkness that lies so close to otherwise sunlit surfaces. Kenneth Gross is to be congratulated for assembling Hollander's Clark Lectures at Cambridge into a whole. As Gross says, 'the book can suggest an anatomy of melancholy . . . but shadow here is also an occasion of continuous wonder and opening to the gifts of time.'
John Ashbery, author of Notes from the Air The late John Hollander was an immensely erudite poet-critic whose acute scholarship illuminated the nature of Western poetry and its history. His masterwork The Substance of Shadow completes his life's work of tracing the images and metaphors of the imagination. Sixty years of conversation with him flood back upon me as I follow his guidance in pursuing poems that are a Great Shadow's last embellishments.
Harold Bloom, Yale University In The Substance of Shadow, Hollander traces the poetic life of shadows in the West from the Psalms and the Book of Job through Virgil, Dante, and on through a spectral company to T. S. Eliot and Hart Crane. This is a book of chiaroscuro imagination and erudition, a study of a tradition darkening as it increasingly uses a central image to reflect on the work of poetry, its powers of allusion, and figuration. I came away astonished at these new readings of classic works.
Rosanna Warren, author of Ghost in a Red Hat The late John Hollander was an immensely erudite poet-critic whose acute scholarship illuminated the nature of Western poetry and its history. His masterwork The Substance of Shadow completes his life s work of tracing the images and metaphors of the imagination. Sixty years of conversation with him flood back upon me as I followhis guidance in pursuing poems that are a Great Shadow s last embellishments.
Harold Bloom, Yale University In The Substance of Shadow, Hollander traces the poetic life of shadows in the West from the Psalms and the Book of Jobthrough Virgil, Dante, and on through a spectral company to T. S. Eliot and Hart Crane. This is a book of chiaroscuro imagination and erudition, a study of a tradition darkening as it increasingly uses a central image to reflect on the work of poetry, its powers of allusion, and figuration. I came away astonished at these new readings of classic works.
Rosanna Warren, author of Ghost in a Red Hat Though we don t often notice it, shadow is everywhere in our lives and in the world, and almost as ubiquitous in literature. The late John Hollander, a poet and critic of dazzling inventiveness and erudition, focuses a brilliant spotlight on this element of darkness that lies so close to otherwise sunlit surfaces.KennethGross is to be congratulated forassembling Hollander s Clark Lectures at Cambridge into a whole. As Gross says, the book can suggest an anatomy of melancholy . . . but shadow here is also an occasion of continuous wonder and opening to the gifts of time.
John Ashbery, author of Notes from the Air Show Less
