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Dr. Jane Milling - Modern British Playwriting: The 1980s: Voices, Documents, New Interpretations - 9781408129593 - V9781408129593
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Modern British Playwriting: The 1980s: Voices, Documents, New Interpretations

€ 30.99
€ 30.57
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Description for Modern British Playwriting: The 1980s: Voices, Documents, New Interpretations Paperback. Part of the Decades of Modern British Playwriting series, the volume provides a critical survey of the theatre produced in the 1980s together with detailed studies by a team of experts of the work of Howard Barker, Jim Cartwright, Sarah Daniels and Timberlake Wertenbaker. Series Editor(s): Boon, Richard; Roberts, Philip. Series: Decades of Modern British Playwriting. Num Pages: 352 pages, N/A. BIC Classification: 2AB; 3JJPL; AN; DSBH; DSG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 150 x 216 x 26. Weight in Grams: 424.
Modern British Playwriting: The 1980s equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicité and DV8 that rose to prominence at this time. Alongside this it provides a detailed examination based on fresh research of four of the most significant playwrights of the era and considers the influence they had on later work. The 1980s volume features a detailed study by four scholars of the ... Read more

Product Details

Publisher
Bloomsbury Publishing PLC
Number of pages
352
Format
Paperback
Publication date
2012
Series
Decades of Modern British Playwriting
Condition
New
Number of Pages
352
Place of Publication
London, United Kingdom
ISBN
9781408129593
SKU
V9781408129593
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-5

About Dr. Jane Milling
Dr Jane Milling is Senior Lecturer in the department of Drama at the University of Exeter, UK. Series editors: Richard Boon, Professor and Director of Research in the Department of Drama and Music, University of Hull, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds.

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