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Strindberg: Plays: Two (The Dance of Death / A Dream Play / The Stronger) (Vol 2)
August Strindberg
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Description for Strindberg: Plays: Two (The Dance of Death / A Dream Play / The Stronger) (Vol 2)
Paperback. The second volume in the series of authoritative Methuen editions of Strindberg's Collected Plays Translator(s): Meyer, M. Series: World Classics. Num Pages: 256 pages, black & white illustrations. BIC Classification: DD. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 163 x 201 x 15. Weight in Grams: 264.
The second volume in the series of authoritative Methuen editions of Strindberg's Collected Plays This volume contains two of Strindberg's best-known plays from the years following his mental breakdown: the expressionist masterpiece A Dream Play (1901), which he described as 'my most beloved play, child of my greatest pain'; and both parts of The Dance of Death (1900), a terrifying analysis of a tormented marriage: 'it leaves an astonishing, an almost unaccountable, impression of genius ...as a beggar's cloak full of holes may have a kind of majestic beauty when the wind fills it, so this broken drama, having unmistakably the winds of vision in it, has beauty and dignity and power' (The Times, 1928). Also included is his earlier short play The Stronger (1889), a fascinating study of the power of personality."Michael Meyer is the translator most actors turn to when seeking a definitive text" (Sunday Times)
Product Details
Format
Paperback
Publication date
2001
Publisher
A&C Black
Number of pages
256
Condition
New
Series
World Classics
Number of Pages
256
Place of Publication
London, United Kingdom
ISBN
9780413497505
SKU
V9780413497505
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-1
About August Strindberg
August Strindberg, the great Swedish dramatist and author, had a profound influence on European drama. His career was particularly marked by a desire to experiment with and redefine theatre. With roots in psychological naturalism, he was nevertheless fascinated by symbols, dreams and fantasies. His later plays anticipated and paved the way for surrealistic, expressionistic and absurdist theatre.
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