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12%OFFJohn Gay - The Beggar´s Opera and Polly - 9780199642229 - V9780199642229
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The Beggar´s Opera and Polly

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Description for The Beggar´s Opera and Polly Paperback. With The Beggar's Opera (1728), Gay invented the ballad opera. It is here published for the first time with its sequel, Polly, in which Macheath and Polly Peachum are transplanted to the West Indies. Together the plays offer a scathing and ebullient portrait of a society in which statesmen and outlaws are impossible to tell apart. Editor(s): Gladfelder, Hal. Series: Oxford World's Classics. Num Pages: 256 pages. BIC Classification: 2AB; DD; DSBD; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 196 x 134 x 14. Weight in Grams: 180.
'Gamesters and Highwaymen are generally very good to their Whores, but they are very Devils to their Wives.' With The Beggar's Opera (1728), John Gay created one of the most enduringly popular works in English theatre history, and invented a new dramatic form, the ballad opera. Gay's daring mixture of caustic political satire, well-loved popular tunes, and a story of crime and betrayal set in the urban underworld of prostitutes and thieves was an overnight sensation. Captain Macheath and Polly Peachum have become famous well beyond the confines of Gay's original play, and in its sequel, Polly, banned in ... Read more

Product Details

Publisher
Oxford University Press United Kingdom
Number of pages
256
Format
Paperback
Publication date
2013
Series
Oxford World's Classics
Condition
New
Number of Pages
256
Place of Publication
Oxford, United Kingdom
ISBN
9780199642229
SKU
V9780199642229
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-2

About John Gay
Hal Gladfelder is the author of Criminality and Narrative in Eighteenth-Century England: Beyond the Law (Johns Hopkins, 2001) and an edition of Cleland's Memoirs of a Coxcomb (Broadview, 2005). His most recent book is a study of Cleland's life and career, Fanny Hill in Bombay: The Making and Unmaking of John Cleland (Johns Hopkins, 2012).

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