"Bean, Kapse, and Horak's collection promises to play a crucial role in the reconfiguration of silent film history, encouraging historians to take an approach that is less strictly linear, that pays attention to the margins and the films and film cultures that exist at the periphery."—Canadian Journal of Film Studies "Recommended."—Choice "All in all, this is a truly commendable volume that again demonstrates the richness of silent cinema culture, and challenges us to rethink how this period can be researched. it also opens our eyes anew to how audiences can experience this amazing art form."—Scandinavian Studies "A rich source of new theoretical horizons derived from studies of silent era cinema. In the collection Silent Cinema and the Politics of Space, we begin to see the great global mix-up produced by motion picture import and export—mixed-up geographies and genders, languages and meanings—all the cultural disjuncture and displacement as well as dispersals of film versions that traditional world film histories completely overlooked."—Jane M. Gaines, Columbia University "Silent Cinema and the Politics of Space makes a very important contribution to scholarship on not only silent cinema but also cross-cultural media studies more generally. Indeed, it is equally useful to scholars working on the contemporary circulation of media across borders, establishing either a precedent for or a counterpoint to later transnational media flows, from television to new media forms."—Richard Abel, University of Michigan "This volume brings together much new and exciting scholarship on silent cinema. It is a timely and important scholarly intervention that foregrounds several promising new methodologies for examining space, place, and their relative displacements."—Matthew Solomon, University of Michigan