10%OFF
Stock image for illustration purposes only - book cover, edition or condition may vary.
British Colour Cinema: Practices and Theories
Simon Brown (Ed.)
€ 104.36
€ 93.46
FREE Delivery in Ireland
Description for British Colour Cinema: Practices and Theories
Hardback. Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s. Editor(s): Street, Sarah; Brown, Simon; Watkins, Elizabeth. Num Pages: 280 pages, biography. BIC Classification: 1DBK; APF. Category: (G) General (US: Trade). Dimension: 239 x 178 x 24. Weight in Grams: 738.
Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s.
Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s.
Product Details
Publisher
Bloomsbury Publishing PLC
Format
Hardback
Publication date
2013
Condition
New
Number of Pages
280
Place of Publication
, United Kingdom
ISBN
9781844574148
SKU
V9781844574148
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-1
About Simon Brown (Ed.)
SIMON BROWN is Director of Studies for Film and Television at Kingston University. His work has been published in the journals Film History, Film Studies, Science Fiction Film and Television, Early Popular Visual Culture and Critical Studies in Television. He is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Sarah Street and Liz Watkins) and author of the Technical Appendix in Sarah Street's Colour Films in Britain: The Negotiation of Innovation 1900–55 (2012). SARAH STREET is Professor of Film at the University of Bristol. She is the author of a number of books on British cinema, including Colour Films in Britain: The Negotiation of Innovation 1900–55 (2012), and is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Liz Watkins), publications which, in addition to this volume, resulted from a research project funded by the AHRC. Sarah Street is co-editor of Screen and the Journal of British Cinema and Television. LIZ WATKINS is a lecturer at the University of Leeds. She has been published in a number of film journals, including Parallax, Paragraph and the British Journal of Cinema and Television. She is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Sarah Street).
Reviews for British Colour Cinema: Practices and Theories