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Art and Pluralism
Nigel Whiteley
€ 186.27
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Description for Art and Pluralism
Hardback. This book examines the writings of Lawrence Alloway (1926-1990), one of the most influential and widely-respected art writers of the post-War years. It provides a close and critical reading of his writings, and sets his work in the cultural and political context of the London and New York art worlds of the 1950s to the early 1980s. Series: Value: Art: Politics. Num Pages: 510 pages, 11 black & white illustrations, 18 colour illustrations. BIC Classification: ABA. Category: (P) Professional & Vocational. Dimension: 236 x 163 x 9. Weight in Grams: 982.
Lawrence Alloway (1926–1990) was one of the most influential and widely respected (as well as prolific) art writers of the post-war years. His many books, catalogue essays and reviews manifest the changing paradigms of art away from the formal values of modernism towards the inclusiveness of the visual culture model in the 1950s, through the diversity and excesses of the 1960s, to the politicisation in the wake of 1968 and the Vietnam war, on to postmodern concerns in the 1970s. Alloway was in the right places at the right times. From his central involvement with the Independent Group and the ICA in London in the 1950s, he moved to New York, the new world centre of art, at the beginning of the 1960s. In the early 1970s he became deeply involved with the realist revival and the early feminist movement in art – Sylvia Sleigh, the painter, was his wife – and went on to write extensively about the gallery and art market as a system, examining the critic’s role within this system. Positioning himself against the formalism and exclusivism associated with Clement Greenberg, Alloway was wholeheartedly committed to pluralism and diversity in both art and society. For him, art and criticism were always to be understood within a wider set of cultural, social and political concerns, with the emphasis on democracy, social inclusiveness, and freedom of expression. Art and Pluralism provides a close critical reading of Alloway’s writings, and sets his work and thought within the cultural contexts of the London and New York art worlds from the 1950s through to the early 1980s. It is a fascinating study of one of the most significant art critics of the twentieth century.
Product Details
Format
Hardback
Publication date
2012
Publisher
Liverpool University Press United Kingdom
Number of pages
510
Condition
New
Series
Value: Art: Politics
Number of Pages
510
Place of Publication
Liverpool, United Kingdom
ISBN
9781846316456
SKU
V9781846316456
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-1
About Nigel Whiteley
Nigel Whiteley was Professor of Visual Arts at the University of Lancaster.
Reviews for Art and Pluralism
Art and Pluralism provides a wonderfully detailed account of the history of art and criticism in the post war period. Particularly impressive is the way that [Whiteley] locates Alloway in relation to the cultural historians and critics of his time. By far the most nuanced and complete account available, it [achieves] a fresh and inspiring view of this period - its artists, its institutions and its arguments. Barry Curtis