'Despite the importance of space, distance and the emergence of relations in Foucault's original theory of biopolitics and in Agamben's later theory of the entire Western tradition as marked by biopolitical thresholds, there has been far too little sustained work on the poetic dimensions of biopolitics, with even less attention paid to the original sense of poiesis as a bringing into being of an object distinct from praxis. In this wonderfully edited collection of essays from a wide range of scholars, the concept of biopolitics is enriched and intensified by exploring the ways in which various arts reconfigure life, the polity and its intimate but complex relations. This book will be valuable for scholars in architecture, cultural theory, contemporary aesthetics, and anyone with an interest in one of the most difficult but intriguing concepts of twenty-first century thought.' - Claire Colebrook, Edwin Erle Sparks Professor of English, Penn State University, 'This is a profoundly optimistic and energizing book - a collection or collective of fascinatingly diverse, attentive chapters working together to examine the many "expressions of positively differentiated life" and singing out for the vital part aesthetic practices play in producing relations between bodies and spaces, opening out newly affirmative ways of thinking, conversing, making, writing and living.' - Kate Briggs, Assistant Professor in Comparative Literature and English, The American University of Paris, 'Despite the importance of space, distance and the emergence of relations in Foucault's original theory of biopolitics and in Agamben's later theory of the entire Western tradition as marked by biopolitical thresholds, there has been far too little sustained work on the poetic dimensions of biopolitics, with even less attention paid to the original sense of poiesis as a bringing into being of an object distinct from praxis. In this wonderfully edited collection of essays from a wide range of scholars, the concept of biopolitics is enriched and intensified by exploring the ways in which various arts reconfigure life, the polity and its intimate but complex relations. This book will be valuable for scholars in architecture, cultural theory, contemporary aesthetics, and anyone with an interest in one of the most difficult but intriguing concepts of twenty-first-century thought.' - Claire Colebrook, Edwin Erle Sparks Professor of English, Penn State University