
Photographies East: The Camera and Its Histories in East and Southeast Asia
Rosalind Morris
The contributors analyze how in specific cultural and historical contexts, the camera has affected experiences of time and subjectivity, practices of ritual and tradition, and understandings of death. They highlight the links between photography and power, looking at how the camera has figured in the operations of colonialism, the development of nationalism, the transformation of monarchy, and the militarization of violence. Moving beyond a consideration of historical function or effect, the contributors also explore the forms of illumination and revelation for which the camera has offered itself as instrument and symbol. And they trace the emergent forms of alienation and spectralization, as well as the new kinds of fetishism, that photography has brought in its wake. Taken together, the essays chart a bravely interdisciplinary path to visual studies, one that places the particular knowledge of a historicized anthropology in a comparative frame and in conversation with aesthetics and art history.
Contributors. James L. Hevia, Marilyn Ivy, Thomas LaMarre, Rosalind C. Morris, Nickola Pazderic, John Pemberton, Carlos Rojas, James T. Siegel, Patricia Spyer
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About Rosalind Morris
Reviews for Photographies East: The Camera and Its Histories in East and Southeast Asia
Ursula Rao
The Asia Pacific Journal of Anthropology
“Photographies East provides an engaging and often provocative collection of nine essays, marked by their theoretical and analytical rigour, which examine the diverse social and historical applications of photography in various regional contexts in Indonesia, Thailand, China, Taiwan and Japan. . . . [T]his volume is an essential contribution to an ever-expanding field of investigation. . . . Photographies East is a compelling and thought-provoking volume of detailed case studies, which succeeds in its multidisciplinary aims to further the critical debate on photography’s histories and legacies in Southeast and East Asia. With its astute and wide-ranging use of theoretical and empirical approaches to materials on the periphery of academic attention, it will help foster dialogues between visual anthropologists, cultural historians, area specialists, and historians of photography both in local and transnational contexts, inside and outside Asia.”
Luke Gartlan
History of Photography
“[T]his is without question an important collection that greatly expands our knowledge about the history of photography and photographic practice in Asia. This book will surely inspire valuable new projects in the years to come.”
David Odo
International Journal of Asian Studies
“Highly recommended.”
P. C. Bunnell
Choice
“I found Photographies East to be a gripping, marvelously varied, trawl through the photographic worlds of East and Southeast Asia. Like photographs, the material contained in this volume will undoubtedly exceed its initial essay-frames, and stimulate interest and debate for years to come.”
Liana Chua
Anthropological Forum