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Christopher Alan Reynolds - Wagner, Schumann, and the Lessons of Beethoven´s Ninth - 9780520285569 - V9780520285569
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Wagner, Schumann, and the Lessons of Beethoven´s Ninth

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Description for Wagner, Schumann, and the Lessons of Beethoven´s Ninth Hardback. examines the influence of Beethoven's Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845 46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Num Pages: 232 pages, 116. BIC Classification: AVGC4; AVGC5; AVGC9; AVH. Category: (G) General (US: Trade). Dimension: 162 x 236 x 22. Weight in Grams: 460.
In this original study, Christopher Alan Reynolds examines the influence of Beethoven's Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845 46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Reynolds shows that the stylistic advances that both composers made in Dresden in 1845 46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony. The evidence provided by their compositions from this pivotal year and the surrounding years suggests that they discussed Beethoven's Ninth with each other in the months leading up to the performance of this work, which Wagner conducted on Palm Sunday in 1846. Two primary aspects that appear to have interested them both are Beethoven's use of counterpoint involving contrary motion and his gradual development of the Ode to Joy" melody through the preceding movements. Combining a novel examination of the historical record with careful readings of the music, Reynolds adds further layers to this argument, speculating that Wagner and Schumann may not have come to these discoveries entirely independently of each other. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony.

Product Details

Format
Hardback
Publication date
2015
Publisher
University of California Press
Condition
New
Number of Pages
232
Place of Publication
Berkerley, United States
ISBN
9780520285569
SKU
V9780520285569
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1

About Christopher Alan Reynolds
Christopher Alan Reynolds is Professor of Music at University of California, Davis, and author of Papal Patronage and the Music of St. Peter's, 1380--1513 and Motives for Allusion: Context and Content in Nineteenth-Century Music (which was a finalist for the Otto Kinkeldey Award from the American Musicological Society in 2004). He is a past president of the American Musicological Society.

Reviews for Wagner, Schumann, and the Lessons of Beethoven´s Ninth
"Wagner, Schumann, and the Lessons of Beethoven's Ninth is a fascinating new examination... It is as though a careful magnifying glass were held to past interactions between two very different composers..."
Nancy Lorraine The Midwest Book Review "This is a multilayered book. It is on one level a formidable piece of forensic musical detective work displaying detailed critical understanding of the works in question through identification of influences and tracing of possible thematic cross-references across generic boundaries; on another it is a musically highly intelligent study of interactive compositional processes in the different but related guises of operatic and instrumental music." Music & Letters

Goodreads reviews for Wagner, Schumann, and the Lessons of Beethoven´s Ninth


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