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History of Opera
Abbate, Carolyn; Parker, Roger
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Description for History of Opera
Paperback. The best single volume ever written on the subject, such is its range, authority, and readability. Times Literary Supplement" Num Pages: 656 pages, 24 pages of illustrations. BIC Classification: AVGC9. Category: (P) Professional & Vocational. Dimension: 234 x 155. Weight in Grams: 666.
Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
Product Details
Format
Paperback
Publication date
2016
Publisher
WW Norton & Co United States
Number of pages
656
Condition
New
Number of Pages
656
Place of Publication
New York, United States
ISBN
9780393348958
SKU
V9780393348958
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Abbate, Carolyn; Parker, Roger
Carolyn Abbate, professor of music at Harvard University, is the author of Unsung Voices and In Search of Opera. She writes on film, philosophy, and opera and has also worked as a translator and dramaturge. She lives in Princeton, New Jersey. Roger Parker, professor of music at King’s College London, writes on opera and music in London. He is the author of Leonora’s Last Act and Remaking the Song and was a founding coeditor of the Cambridge Opera Journal. He lives in Hampshire.
Reviews for History of Opera
"Fantastically clear-sighted and down-to-earth . . . focuses on what opera is and was rather than what it should be or would like to have been. . . . Their virtuosic spring-clean of opera’s past reveals an art form quite different to the one that we come across today."
The Telegraph (UK) "Reason to applaud . . . vast scholarly authority is put to the service of a narrative both lucid and sweeping."
Jeremy Eichler - Boston Globe "Unfailingly intelligent . . . their coverage of every period in opera’s history is scrupulous and provocative."
Kirkus Reviews "Will surely become essential reading for anyone seeking an engaging and highly informed chronicle of the great composers and their works."
Daniel Snowman - Opera "A highly idiosyncratic and personal history of opera. [It] has a brio, insouciance, and even irreverence that are very much their own."
G.W. Bowersock - The New Republic "Fresh . . . brave, challenging and, above all, useful."
Literary Review
The Telegraph (UK) "Reason to applaud . . . vast scholarly authority is put to the service of a narrative both lucid and sweeping."
Jeremy Eichler - Boston Globe "Unfailingly intelligent . . . their coverage of every period in opera’s history is scrupulous and provocative."
Kirkus Reviews "Will surely become essential reading for anyone seeking an engaging and highly informed chronicle of the great composers and their works."
Daniel Snowman - Opera "A highly idiosyncratic and personal history of opera. [It] has a brio, insouciance, and even irreverence that are very much their own."
G.W. Bowersock - The New Republic "Fresh . . . brave, challenging and, above all, useful."
Literary Review