Robert Linsley has produced a refreshingly distinctive, insightful, and deeply knowledgeable book. As both an innovative artist and an incisive critical writer, he speaks as a insider about the contemporary state of the fine arts, especially as it bears on the abstract end of the range of current practices. Linsley writes with the clarity of a classic figure like David Sylvester and the verve and quirkiness of an independent voice like Dave Hickey. His text ought to stimulate a significant amount of discussion in the art world and if it doesn't, then shame on the art world.
Richard A. Shiff, Effie Marie Cain Regents Chair in Art, the University of Texas at Austin
At times conversational, at times combative, often unpredictable and never dull, this book is a highly original and timely discussion of a subject that, thankfully, won’t quite go away.
David Batchelor
Art history is made by artists, and it might be better more productively controversial if it were more often written by them too. Robert Linsley, an estimable abstract painter, offers a makers perspective on the past, present, and future of abstraction. A modern truth is a moving truth, Linsley writes, and he does his best to catch arts ever-changing reality on the fly. His perception that a provincial comedy lies at the heart of the modern makes him our most challenging guide to the place of abstraction in today’s global context.
Barry Schwabsky, author of The Perpetual Guest: Art in the Unfinished Present
Beyond Resemblance is a working-artist’s insightful exploration of the relevance, and future, of abstract art that provides more questions than answers in order to promote thought and discourse. It is recommended for academic libraries at universities or colleges with studio art programs
ARLIS