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Globalization and Contemporary Art
Jonathan Harris
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Description for Globalization and Contemporary Art
Paperback. In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Editor(s): Harris, Jonathan. Num Pages: 552 pages, illustrations. BIC Classification: ACXJ. Category: (P) Professional & Vocational. Dimension: 243 x 191 x 26. Weight in Grams: 1158.
In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Globalization and Contemporary Art is the first anthology to consider the role and impact of art and artist in an increasingly borderless world.
- First major anthology of essays concerned with the impact of globalization on contemporary art
- Extensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization
- Unique analysis of the contemporary art market and its operation in a globalized ... Read more
Product Details
Publisher
John Wiley and Sons Ltd
Number of pages
552
Format
Paperback
Publication date
2011
Condition
New
Weight
1158g
Number of Pages
560
Place of Publication
Hoboken, United States
ISBN
9781405179508
SKU
V9781405179508
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Jonathan Harris
Jonathan Harris is Professor of Global Art & Design Studies for the Winchester School of Art at the University of Southampton. He has published widely on contemporary art history and theory, and is a successful textbook author. His works include The New Art History: A Critical Introduction (2001) and Art History: The Key Concepts (2006).
Reviews for Globalization and Contemporary Art
"Though most essays address the junction between globalization and contemporary art, some deal with 20th- and late 19th-century art. Ambitous and wide in scope, this invaluable study should be read by students of art and visual culture. Summing Up: Highly recommended. Upper-level undergraduates and above." (Choice, 1 November 2011)