Meisel has a unique perspective, remarkable command of examples, and astute use of etymologies. His discussions of Sophocles, Calderon, Chekhov, Beckett, and Stoppard are matched by equally detailed and thoughtful considerations of graphics by Otto Dix, the landscapes of Turner, War and Peace, Zola's Rougon-Macquart series, and Haydn's Creation.
Ross Hamilton, Barnard College Meisel's magnum opus is a heroic act of defiance against its own subject matter: an enlightening, judicious, cohesive history of three millennia of thought about the terrors and attractions of chaos. The book moves with steady confidence through literature, science, art, and philosophy, illuminating many varieties of darkness and finding convincing and original connections across centuries and continents. With authority and energy, Meisel creates a whole new field of study.
Edward Mendelson, Columbia University This extraordinary, encyclopedic exploration of how artists, poets, philosophers, and scientists have imagined and represented chaos explores not chaos in the abstract but those crucial transitions to (and from) chaos that are so intricately represented in the most complex artworks. The unpredictable is then made not predictable but endlessly fascinating. Martin Meisel's is a bravura performance, one of those rare critical studies not for one but for all seasons.
Marjorie Perloff, Stanford University This exhilarating masterpiece can only have emerged from a mind steeped in physics as an undergraduate and theater as a graduate student, followed by the broadest explorations in a lifetime of scholarship. The world may have emerged from the quantum 'chaos' of the Big Bang, but Meisel has ordered everything since beautifully.
David Helfand, author of A Survival Guide to the Misinformation Age [An] ambitious multidisciplinary work. Publishers Weekly