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The Eternal Letter: Two Millennia of the Classical Roman Capital (Codex Studies in Letterforms)
Paul (Ed) Shaw
€ 50.04
€ 48.39
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Description for The Eternal Letter: Two Millennia of the Classical Roman Capital (Codex Studies in Letterforms)
Hardcover. Editor(s): Shaw, Paul. Series: Codex Studies in Letterforms. Num Pages: 270 pages, 432 color illus. BIC Classification: AKD. Category: (P) Professional & Vocational. Dimension: 241 x 302 x 24. Weight in Grams: 1550.
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A generously illustrated examination of the enduring influence of and many variations on the classical Roman capital letter.
The fiftieth anniversary of Helvetica, the most famous of all sans serif typefaces, was celebrated with an excitement unusual in the staid world of typography and culminated in the release of the first movie ever made starring a typeface. Yet Helvetica's fifty-year...
Product Details
Format
Hardback
Publication date
2015
Publisher
The MIT Press
Condition
New
Series
Codex Studies in Letterforms
Number of Pages
270
Place of Publication
, United States
ISBN
9780262029018
SKU
V9780262029018
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Paul (Ed) Shaw
Paul Shaw, an award-winning graphic designer, typographer, and calligrapher in New York City, teaches at Parsons School of Design and the School of Visual Arts. The designer or codesigner of eighteen typefaces, he is the coauthor of Blackletter: Type and National Identity and the author of Helvetica and the New York City Subway System (MIT Press). He writes about letter...
Read moreReviews for The Eternal Letter: Two Millennia of the Classical Roman Capital (Codex Studies in Letterforms)
This beautifully designed book traces the Roman capital and its progeny, shown in more than 400 full-color illustrations including Latin inscriptions, calligraphic interpretations, and modern incarnations on advertisements and movie posters. Full of essays by practitioners of typography and lettering, The Eternal Letter is richly detailed and visually captivating, offering a comprehensive examination—from stone carving to computer pixilation—of the classical...
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