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22%OFFSonal Khullar - Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990 - 9780520283671 - V9780520283671
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Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990

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Description for Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990 Hardback. Drawing on Edward Said's notion of affiliation as a critical and cultural imperative against empire and nation-state, this book traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Num Pages: 368 pages, 84 color, 20 b/w, 1 map. BIC Classification: 1FKA; 3JJ; ACX. Category: (G) General (US: Trade). Dimension: 264 x 189 x 26. Weight in Grams: 1116.
The purpose of art, the Paris-trained artist Amrita Sher-Gil wrote in 1936, is to "create the forms of the future" by drawing its inspiration from the present." Through art, new worlds can be imagined into existence as artists cultivate forms of belonging and networks of association that oppose colonialist and nationalist norms. Drawing on Edward Said's notion of affiliation as a critical and cultural imperative against empire and nation-state, Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists Sher-Gil, Maqbool Fida ... Read more

Product Details

Publisher
University of California Press
Format
Hardback
Publication date
2015
Condition
New
Number of Pages
368
Place of Publication
Berkerley, United States
ISBN
9780520283671
SKU
V9780520283671
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1

About Sonal Khullar
Sonal Khullar is Assistant Professor of South Asian Art at the University of Washington, Seattle.

Reviews for Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990
"Innovative and elegant . . . Sonal Khullar reconstitutes the history of modernism in India as nimble artistic negotiations between present and past, East and West, crafts and fine arts, and individual and nation. . . . The book pays particular attention to how artists struggled to form a new artistic language in the wake of colonialism. . . . Through Khullar’s ... Read more

Goodreads reviews for Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990


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