The narrator travels through modern 'global', yet somehow still Maoist, China, trying to reach the past, trying to see what remains of the Middle Kingdom's ancient cultural riches, and trying to reach the city of Jiuhuashan (always asking: 'This still isn't Jiuhuashan, is it?'). But the last thing Krasznahorkai is ever going to offer us is false hope or neat ... Read moreresolutions.
Epler, Barbara TANK Magazine A quest to discover the remaining artifacts and present-day incarnations of classical Chinese culture takes Man Booker International-winner Krasznahorkai on an illuminating, melancholy journey through contemporary China in this occasionally frustrating yet often dazzling travel memoir.
Publishers Weekly In Destruction and Sorrow beneath the Heavens, Asia is once again at the center of Krasznahorkai's attention, but this time he sends his protagonist Stein to China to discover if and how the country's classical culture lives on in the twenty-first century. . . . Krasznahorkai skillfully balances Stein's melodramatic quest for the remnants of metaphysical meaning with an ironic mode that exposes this endeavor while also harboring a certain degree of sympathy for it.
Slavic and East European Journal Masterfully translated by Mulzet, Destruction and Sorrow beneath the Heavens . . . bridges the dark visions of Krasznahorkai's earlier work to the Buddhist-like meditations of his more recent books. . . . Krasznahorkai allows himself to take pleasure in appreciating the past rather than decrying it's loss. . . . Less of a travelogue than a personal document for the writer, a critical artistic step that has taken him to a more sublime era of his career.
Frieze Of all the 'China books' one may read this year, or next, or possibly the rest of the decade, none is likely to be as confounding, or enthralling, as Krasznahorkai's Destruction and Sorrow Beneath the Heavens. . . . There is a literary sensibility to the writing that is unmatched by any other book I can recall in this vaguely-defined genre. Krasznahorkai's intellect radiates from the pages. He is no simple observer: he intervenes, meddles, berates, insists
and ponders.
Asian Review of Books Offering an interesting glimpse
from a foreign perspective
of near-contemporary China, Destruction and Sorrow beneath the Heavens is also an interesting (if somewhat limited) consideration of the tremendous cultural
in every respect
changes China has undergone (and continues to), addressing issues of relevance elsewhere too (as such loss of tradition and cultural decline is hardly unique to China, even as it often manifests itself differently elsewhere).
Complete Review A book-length investigation that represents a different kind of transfiguration for an author best known in the Anglophone world for his fiction. . . . Destruction and Sorrow Beneath the Heavens is a travelogue in the broadest sense of the term, and like all great travelogues it links a change in scenery to a change in emotional state. . . . For so many years, Krasznahorkai's name was synonymous with apocalypse. Now Krasznahorkai has transformed and transcended; he has changed from an angry prophet to a wide-eyed archivist and a hopeful seeker.
New Republic Destruction and Sorrow Beneath the Heavens, a book of quasi-fictional reportage by L szl Krasznahorkai (who styles himself the poet Stein throughout), is a travelogue under modern China's apocalyptic sky. The book, which many will find controversial, details Stein's pilgrimage in search of the authentic current of Chinese tradition, a search that leads him to denounce the country's so-called economic miracle as a general collapse. . . . Stein is only too aware that he is at odds with the times, and that perhaps he is beyond understanding modern China. . . . Such is the sorrow of the title of this book, a long lament for the final ancient civilization of world history. We are called upon to wonder: is there anywhere an individual can experience the condition of perfect tranquility?
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