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Downing A. Thomas - Aesthetics of Opera in the Ancien Régime, 1647–1785 - 9780521100977 - V9780521100977
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Aesthetics of Opera in the Ancien Régime, 1647–1785

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Description for Aesthetics of Opera in the Ancien Régime, 1647–1785 Paperback. This study recognizes the broad impact of opera in early-modern French culture. Series: Cambridge Studies in Opera. Num Pages: 420 pages, 9 b/w illus. 13 music examples. BIC Classification: 3JD; 3JF; AVGC9. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 24. Weight in Grams: 610.
This study recognizes the broad impact of opera in early-modern French culture. Downing A. Thomas considers the use of operatic spectacle and music by Louis XIV as a vehicle for absolutism; the resistance of music to the aesthetic and political agendas of the time; and the long-term development of opera in eighteenth-century humanist culture. He argues that French opera moved away from the politics of the absolute monarchy in which it originated to address Enlightenment concerns with sensibility and feeling. The book combines close readings of significant seventeenth-century and eighteenth-century operatic works, circumstantial writings and theoretical works on theatre and ... Read more

Product Details

Format
Paperback
Publication date
2009
Publisher
Cambridge University Press United Kingdom
Number of pages
420
Condition
New
Series
Cambridge Studies in Opera
Number of Pages
420
Place of Publication
Cambridge, United Kingdom
ISBN
9780521100977
SKU
V9780521100977
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1

About Downing A. Thomas
Downing A. Thomas is Associate Professor and Chair of the Department of French and Italian at the University of Iowa. He is the author of Music and the Origins of Language: Theories from the French Enlightenment (Cambridge University Press, 1995), and co-editor of Empire and Occupation in France and the Francophone Worlds, a special issue of Studies in Twentieth-Century Literature ... Read more

Reviews for Aesthetics of Opera in the Ancien Régime, 1647–1785
Review of the hardback: '… the attraction and usefulness of this work is that Thomas specifically avoids falling back on hackneyed texts and does not slavishly retrace other's steps through reams of over-analysed material.' Eighteenth-Century Music

Goodreads reviews for Aesthetics of Opera in the Ancien Régime, 1647–1785


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