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9/11 and the Literature of Terror
Martin Randall
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Description for 9/11 and the Literature of Terror
Hardback. Explores the fiction, poetry, theatre and cinema representing the 9/11 attacks. Num Pages: 184 pages. BIC Classification: 1KBB; 2AB; 3JM; DSBH. Category: (P) Professional & Vocational. Dimension: 234 x 156 x 18. Weight in Grams: 428.
Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications. Other chapters analyse initial responses to 9/11, the intriguing tensions between fiction and non-fiction, the challenge of describing traumatic history and the ways in which the terrorist attacks have been discussed culturally in the decade since September 11. Key Features * Contributes to the growing literature on 9/11, presenting an over-view of ... Read more
Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications. Other chapters analyse initial responses to 9/11, the intriguing tensions between fiction and non-fiction, the challenge of describing traumatic history and the ways in which the terrorist attacks have been discussed culturally in the decade since September 11. Key Features * Contributes to the growing literature on 9/11, presenting an over-view of ... Read more
Product Details
Publisher
Edinburgh University Press
Number of pages
184
Format
Hardback
Publication date
2011
Condition
New
Number of Pages
174
Place of Publication
Edinburgh, United Kingdom
ISBN
9780748638529
SKU
V9780748638529
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-5
About Martin Randall
Martin Randall is a Senior Lecturer in Creative Writing at the University of Gloucestershire. His PhD concerned the representation of the Holocaust in contemporary British fiction.
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