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Hans J. Wegner: Just One Good Chair
Christian Holmstedt Olesen
€ 63.29
€ 50.50
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Description for Hans J. Wegner: Just One Good Chair
Hardback. Num Pages: 280 pages, 240. BIC Classification: AKB; AKP. Category: (G) General (US: Trade). Dimension: 319 x 256 x 35. Weight in Grams: 1928.
The name Hans J. Wegner (1914-2007) is inseparable from his unrivalled chairs, which helped Danish design to achieve its international breakthrough. Every design fan has his or her favorite from among Wegner's approximately five hundred creations. Today, there is a hardly a glossy interior design magazine that does not include an illustration of the elegant China Chair (1943) or the Y Chair (1950), and even John F. Kennedy sat on his Round Chair, which is now simply called The Chair (1949). Trained as a furniture maker, Wegner usually made his prototypes himself by hand, using traditional joinery techniques such as ... Read more
The name Hans J. Wegner (1914-2007) is inseparable from his unrivalled chairs, which helped Danish design to achieve its international breakthrough. Every design fan has his or her favorite from among Wegner's approximately five hundred creations. Today, there is a hardly a glossy interior design magazine that does not include an illustration of the elegant China Chair (1943) or the Y Chair (1950), and even John F. Kennedy sat on his Round Chair, which is now simply called The Chair (1949). Trained as a furniture maker, Wegner usually made his prototypes himself by hand, using traditional joinery techniques such as ... Read more
Product Details
Publisher
Hatje Cantz
Format
Hardback
Publication date
2014
Condition
New
Weight
1973g
Number of Pages
256
Place of Publication
Ostfildern, Germany
ISBN
9783775738095
SKU
V9783775738095
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-14
Reviews for Hans J. Wegner: Just One Good Chair
Danish Designer Hans J. Wegner created the Y chair, the China chair, the Peacock chair, the Ox chair-even a chair called the Chair.
The Editors New York Magazine a testament to how design can reinterpret a single object in near infinite ways.
Carey Dunne Fast Company
The Editors New York Magazine a testament to how design can reinterpret a single object in near infinite ways.
Carey Dunne Fast Company