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William Kentridge: Volume 21
Rosalind E. Krauss
€ 23.99
€ 17.86
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Description for William Kentridge: Volume 21
Paperback. Editor(s): Krauss, Rosalind E. Series: October Files. Num Pages: 208 pages, 53 b&w illus. BIC Classification: ACXJ8; AGB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 11. .
Critical texts and interviews that explore the drawings, animations, and theatrical work of the South African artist William Kentridge. Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, ... Read more
Critical texts and interviews that explore the drawings, animations, and theatrical work of the South African artist William Kentridge. Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, ... Read more
Product Details
Publisher
MIT Press Ltd
Format
Paperback
Publication date
2017
Series
October Files
Condition
New
Weight
28 g
Number of Pages
208
Place of Publication
Cambridge, Mass., United States
ISBN
9780262533454
SKU
V9780262533454
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1
About Rosalind E. Krauss
Rosalind E. Krauss is University Professor in the Department of Art History at Columbia University, where, from 1995 to 2006, she held the Meyer Schapiro Chair in Modern Art and Theory. She is a founding editor of October and the author of Passages in Modern Sculpture, The Originality of the Avant-Garde and Other Myths, The Optical Unconscious, Bachelors, Perpetual Inventory, ... Read more
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