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Anne Boleyn (Shakespeare's Globe)
Howard Brenton
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Description for Anne Boleyn (Shakespeare's Globe)
Paperback. Howard Brenton's epic play for Shakespeare's Globe theatre presents a dramatic portrait of one of the most famous figures in English History, Henry VIII 's second wife and mother of Elizabeth I. Num Pages: 128 pages. BIC Classification: DD. Category: (G) General (US: Trade). Dimension: 198 x 130 x 9. Weight in Grams: 144.
A celebration of a great English heroine, Anne Boleyn dramatises the life and legacy of Henry VIII's notorious second wife, who helped change the course of the nation's history.
Traditionally seen as either the pawn of an ambitious family manoeuvred into the King's bed or as a predator manipulating her way to power, Anne – and her ghost – are seen in a very different light in Howard Brenton's epic play.
Rummaging through the dead Queen Elizabeth's possessions upon coming to the throne in 1603, King James I finds alarming evidence that Anne was a religious conspirator, in ... Read morelove with Henry VIII but also with the most dangerous ideas of her day. She comes alive for him, a brilliant but reckless young woman confident in her sexuality, whose marriage and death transformed England for ever.
Howard Brenton's play Anne Boleyn was first performed at Shakespeare's Globe, London, in July 2010, and was named Best New Play at the Whatsonstage.com Awards in 2011.
The play was revived at the Globe in 2011 and toured regionally in 2012 in a joint production between Shakespeare’s Globe and English Touring Theatre.
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Product Details
Publisher
Nick Hern Books
Place of Publication
London, United Kingdom
Shipping Time
Usually ships in 4 to 8 working days
About Howard Brenton
Howard Brenton was born in Portsmouth in 1942. His many plays include Christie in Love (Portable Theatre, 1969); Revenge (Theatre Upstairs, 1969); Magnificence (Royal Court Theatre,1973); The Churchill Play (Nottingham Playhouse, 1974, and twice revived by the RSC, 1978 and 1988); Bloody Poetry (FocoNovo, 1984, and Royal Court Theatre, 1987); Weapons of Happiness (National Theatre, Evening Standard Award, 1976); Epsom ... Read moreDowns (Joint Stock Theatre, 1977); Sore Throats (RSC,1978); The Romans in Britain (National Theatre, 1980, revived at the Crucible Theatre, Sheffield, 2006); Thirteenth Night (RSC,1981); The Genius (1983), Greenland (1988) and Berlin Bertie (1992), all presented by the Royal Court; Kit’s Play (RADA Jerwood Theatre, 2000); Paul (National Theatre, 2005); In Extremis (Shakespeare’s Globe, 2006 and 2007); Never So Good (National Theatre, 2008); The Ragged Trousered Philanthropists adapted from the novel by Robert Tressell (Liverpool Everyman and Chichester Festival Theatre, 2010); Anne Boleyn (Shakespeare’s Globe, 2010 and 2011); 55 Days (Hampstead Theatre, 2012); #aiww: The Arrest of Ai Weiwei (Hampstead Theatre, 2013); The Guffin (NT Connections, 2013); Drawing the Line (Hampstead Theatre, 2013); Doctor Scroggy's War (Shakespeare's Globe, 2014); Lawrence After Arabia (Hampstead Theatre, 2016); The Blinding Light (Jermyn Street Theatre, 2017), The Shadow Factory (NST City, Southampton, 2018), Jude (Hampstead Theatre, 2019) and Cancelling Socrates (Jermyn Street Theatre, London, 2022). Collaborations with other writers include Brassneck (with David Hare, Nottingham Playhouse, 1972); Pravda (with David Hare, National Theatre, Evening Standard Award, 1985) and Moscow Gold (with Tariq Ali, RSC, 1990). Versions of classics include The Life of Galileo (1980) and Danton's Death (1982), both for the National Theatre; Goethe's Faust (1995/6) for the RSC; a new version of Danton's Death for the National Theatre (2010); and versions of Strindberg's Dances of Death (Gate Theatre, 2013), Miss Julie (Theatre by the Lake, Keswick, & Jermyn Street Theatre, London, 2017) and Creditors (Theatre by the Lake, Keswick, & Jermyn Street Theatre, London, 2019). He wrote thirteen episodes of the BBC1 drama series Spooks (2001–05, BAFTA Best Drama Series, 2003). Show Less
Reviews for Anne Boleyn (Shakespeare's Globe)
'The play bursts through the constraints of costume drama. Brenton understands how to work the audience at the Globe'
Independent
'It takes a big, generous spirit to fill the Globe, and in this Brenton follows Shakespeare - not just with asides and soliloquies, but with a large colourful canvas'
Daily Mail
'Anne Boleyn has drama, royalty, ... Read moresex, scheming... in short, as much entertainment value as a Tudor execution'
Time Out
'This is no dry and dusty history lesson... a witty and engrossing impression of the times that gave birth to our first Elizabethan age, and the subsequent reformation'
British Theatre Guide
'What an absolute delight... a beautifully written piece of theatre that instantly draws you in into the life and times of both Anne Boleyn and King James I'
Whatsonstage.com
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